Monday, February 19, 2024

Music, books, living and building: 2024 Oscar-nominated documentary shorts

It's Oscar short season and we ended up seeing two categories in one day again. The second was Documentary, but that's the one I'm going to cover first because Live Action, collectively, was the better category this year.


Nâi Nai and Wài Pó- This was director Sean Wang's film about his paternal and maternal grandmothers, who live together to support each other, as their respective husbands had passed years ago. It's a very simple presentation about how they go about their daily lives; morning exercise and then activities of various sorts, like gardening or a day for dancing to music. It was quite funny and very cute seeing the two of them dress up in a variety of costumes which they freely admitted was because their grandson was there with a camera. It was also remarkably insightful on their polar opposite views on life, where Wài Pó, who is 83 said she felt like she was still 20, while Nâi Nai who is 94, said she felt like she was 100 years old. That perspective included their thoughts on the future, where the latter said that she would be fine with just another year or two of life, while the former bemoaned the fact that she had to die at some point when she clearly felt there was so much living to do. That extended to their activities, in which Wài Pó took the lead on thinking about trying new things, while Nâi Nai was content to flip through photo albums and phone numbers, reminiscing about the friends she'd lost and the good times she'd had with them. It was a great encapsulation of both elderly life and life, in general.


The Barber of Little Rock- This was the story of Arlo Washington, a Little Rock, AR entrepreneur who chose to follow the path of his mother, whose life was cut short at 31, and devote his life to work toward building and supporting his community. To that end, he started a barber college and used the money from that to begin People's Trust, a Community Development Financial Institution (CDFI; a non-profit bank), which provides micro and small loans to people in personal need or to begin businesses in the "south of the highway" section of Little Rock. It's a great depiction of life that much of (White) America never sees and almost immediately had me kicking myself for not still being involved in progressive politics, as these were the people and scenarios that I saw all the time when I was and whom still really need help. Arlo is an incredibly forward and positive thinker and the genuine emotion that frequently overwhelmed his clients when they finally found someone who would not only help them but actually listen to them was quite telling. I saw that frequently in my previous activity and it's a measure of both how much people in the "wealthiest nation in the world" still need help (especially if they're not White) and the humanity of those who make it their purpose to help them and, as Arlo frequently states, to grow the community as a whole. This was my second favorite among the offerings.


Island in Between- This was S. Leo Chiang's story about Kinmen, the small island right off the coast of mainland China which is a territory of the Republic of China (aka Taiwan.) As such, it was both the initial target of the People's Republic of China intentions to reclaim the territory it regards as its own and a heavily-militarized outpost that the Taiwanese regard as the first line of defense against the Red Menace. Chiang, who is originally from Kinmen, spent many years in the US, and is now a resident of Taipei, spends some time regaling us with the history of the island and the ardent propaganda against the looming enemy and how Kinmen was intended to be the launching point for the retaking of the mainland for the Chinese people and the destruction of the vile communists. Given that relations between the two nations have much improved since the 1950s, no one really thinks about that much anymore and, honestly, the film kind of reflects that neglect. It was a pretty rote depiction of the situation then and the tepid situation now and this was, by far, the least interesting of the nominated films.


The ABCs of Book Banning- This film, directed by Sheila Nevins, the head of MTV Documentary films, is obviously extremely timely. The most notable thing about it to me was that MTV still exists in any way, shape or form. I say that largely because I knew everything that was depicted here. Every time they put up another book cover that was promptly crossed with a glaring red "BANNED", "RESTRICTED", or "CHALLENGED", all I did was nod my head and think: "Yeah, I knew that already." I was clearly not the target audience. I also wondered why the font and format of those glaring red titles changed two-thirds of the way through the film. However, the real upside of the show was the collection of interviews with 7-10-year-olds who are the students of the schools where these books are being banned. To a person, all of them reacted with confusion and dismay at the idea that these stories and this information was being denied to them, especially when they learned exactly what these books were about. For example, And Tango Makes Three, a book about a penguin chick with two fathers (a situation that did happen at the Bronx Zoo and does happen in the wild) has been banned or challenged in multiple districts because it draws attention to the idea of same sex marriage; an appalling thought for the ignorant and/or religiously fanatical among society. The children presented with this book and others usually responded with "Why would they ban a book that just tells the story of people being who they are?" That, of course, is an extremely modern attitude which should give most hope for the future and the film overall does that. It just wasn't particularly new to me so, while I liked it, it's definitely a story I've heard before.


The Last Repair Shop- Right up front, this was my favorite documentary of the evening. That was because not only was it about music, but also because I didn't even know this program existed and was happily surprised that it did, especially in the environs of Los Angeles which, like many big cities, seemed like it had begun to phase out cultural activities for public school students. The program is one in which musical instruments are provided to those students and repaired for them when they inevitably encounter the problems that all crafted devices do. If it had just been about the repair shop for instruments, it wouldn't have been as interesting as it was because they also delved into the rather interesting characters who operate the shop and their backgrounds which led them to becoming experts in the repair and maintenance of brass, strings, woodwinds, and pianos. They include a single mother immigrant from Mexico, a man who came out in the early stages of the Gay Power movement in San Francisco, a former fiddle player for the Bodie Mountain Express, and an Armenian refugee from Azerbaijan. All of their stories are interesting and provide context for how they ended up assisting the musical dreams of children across the spectrum of LA existence. Needless to say, the story (ahem) sang to me and, for once, I think my favorite is also the clear favorite for the Oscar this year.

Next up is Live Action.

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